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First MP3 results in - Tim eats his words!
- To: <ukha_d@xxxxxxx>
- Subject: First MP3 results in - Tim eats his words!
- From: "Timothy Morris" <timothy.morris@xxxxxxx>
- Date: Sat, 14 Apr 2001 17:09:13 +0100
- Delivered-to: rich@xxxxxxx
- Delivered-to: mailing list ukha_d@xxxxxxx
- Mailing-list: list ukha_d@xxxxxxx; contact
ukha_d-owner@xxxxxxx
- Reply-to: ukha_d@xxxxxxx
First thanks to
Phil
Harris for connecting up the analogue cables on the back of my DV88
yesterday. I
had hoped to use my Meridian 561 to do the decoding for both CD and MP3,
but
while the Meridian will decode 5 channel mpeg (the original standard for
PAL
DVDs), I've since found out that .mp3 is a different
thing!
I've been doing
some
reading, and have used a separate ripper, and encoder - both
free.
For ripping I
used
Exact Audio Copy, which recognises errors in the bitsream, and re-reads the
CD
until it gets a perfect copy. All of my CDs (with a few exceptions which
have
been "borrowed" by young hands) are in pristine condition, so It may be
overkill. It takes longer, but at least I'm guaranteed that the .wav files
on
the hard disc are a perfect representation of what was on the CD. http://www.exactaudiocopy.de/
For encoding I
have
used the latest LAME encoder (3.88), together with a windows front end
(Razorlame).
For some reason
the
files were unreadable when using high bit rates unless I selected ISO
compatibility.
The first thing
I
discovered is that the type of source material makes a vast difference (I
know
you all already know this, but for me it is a voyage of discovery!) I
encoded
"Miss Otis regrets" from the "Ella Fitzgerald sings the Cole Porter
songbooks"
boxed set, which is vocals plus light piano accompaniment, and that sounded
quite respectable down to 128K. I then did a quick an dirty test on some
material with wider dynamic range that I've been listening to quite a lot
recently - the 4th track on Whoa Nelly by Nelly Furtando, and with this one
compression was fairly obvious at the same bit rate.
Overnight I set
up
the whole Nelly CD to be encoded at 320Kb/s, and have just finished an A/B
comparison with the original CD switching back and forth between the
two. There is a very slight muddiness to very low bass, but you really
have
to try hard to hear it, and to be fair I think that has as much to do with
the
fact that the DACS in the Meridian are superior to those in the Arcam as
anything else.
I realise that
320Kb/s is too high a bit rate for ripping an entire CD collection -
so now
that I have found (for myself) that .mp3 can produce very good results even
when
played through a very transparent HiFi, I'll experiment with various
encoding
settings to find the best trade-off over the next couple of weeks and post
the
results.
Many of you may
be
thinking that it is all irrelevant, as your HiFi/listening room is not
capable
of revealing the difference. Well your current set-up might not, but what
if you
splash out further down the line? Do you really want to go through the
hassle of
re-encoding all of your material?
I'm not going
to go
through the process of ripping my entire CD collection purely because I'm
happy
changing a CD every hour or so, and I live in a single story open plan
building
so there is no need for multi-room audio - I just turn up the volume, but
it has
given me food for thought!
See Mark, I
said I'd
be honest!
Tim.
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